Up: Mountain Stream with Calamus, Wen Zhengming, Provided by Private Collector, 1516

上：蒲涧记，文徵明，由私人藏家提供，1516

Dowm: Mountain Stream with Calamus, Wen Zhengming, Provided by Private Collector, 1516

下：蒲涧图，文徵明，由私人藏家提供，1516

Wen Zhengming's Mountain Stream with Calamus (Ming dynasty) exemplifies an iconotext in which image and text are mutually constitutive, creating an intertextual interplay that transcends the dichotomy between image and text.

明代文徵明的《蒲涧图及蒲涧记卷》堪称“图像文本”典范：在其中，图像与文字彼此共构，形成超越图文两分的互文互动关系。

Left: Li Mingzhong Building Standards (Yingzao Fashi) 36 volumes, Provided by School of Architecture, Southeast University

左：《李明仲营造法式》三十六卷，由东南大学建筑学院提供

Middle: She, Provided by Atelier Deshaus

中：舍 - 亼屮囗，由大舍建筑设计事务所提供

Right: Section of Yunqi Hall of Upper-Cloister at Jinshanling, © Atelier Deshaus, 2022

右：金山岭上院，云起堂，剖面图，© 大舍建筑设计事务所，2022

A page from a precious 20th century edition of Building Standards (Yingzao Fashi) traces the material assembly of the Foguang Temple, which seems to find its diagram in the Chinese character 舍 (she, shelter), composed of the three radicals for roof (亼), beam and columns (屮), and base (囗), which is then reinscribed in Liu Yichun's meditation pavilion at the Upper Cloister.

陶本《营造法式》卷三十一所示一种典型殿堂剖面（“侧样”），除去右下的“副阶”，描摹了类似佛光寺东大殿的屋顶、柱梁与台基的物质组合，其抽象图解，可由“舍”字构成佐证：屋顶（亼）、木构支撑（屮）与基座（囗）。这一抽象构成，在柳亦春的金山岭上院云起堂中亦得再度铭写。

展览脉络：“铭写”的四重框架

“异写”(Allographics)

Up: Jiading Mini Block, Urban fabric formed by 22 Mini Blocks, Photo © Tian Fangfang, Provided by Atelier FCJZ, 2020

上：嘉定微型街区，22个微型街区组成的城市肌理，摄影 © 田方方，由非常建筑提供，2020

Down: Impression of Black and White (detail), © Ding Yi, 2009, Provided by Ding Yi Studio

下：《描写黑白印象》（局部），© 丁乙，2009，由丁⼄⼯作室提供

 Bridge of Nine Terraces, Sketch, © Scenic Architecture Office, 2022

九间廊桥，草图，© 山水秀建筑事务所，2022

In the Bridge of Nine Terraces, Zhu Xiaofeng emphasizes the diagram of bare white walls and black tile roofs of Jiangnan's vernacular architecture. His repetitive extrusions of domestic roofs underscore the material processes of inscription-the iterative stroke, the spacing of graphic variation, and the play of typographic form.

祝晓峰在九间廊桥草图中强调了素墙黑瓦的江南民居图式。他对于民居屋顶的一次次拉伸操作，揭示了铭写的物质性过程：笔触的重复、图形变体之间的间距展开，以及字形形式的游戏。

 “一画”(Singular Trace)

Up: Burning Tower, Sketch, © Jiakun Architects, 2024

上：爆竹塔，手稿，© 家琨建筑，2024

Down: Fire Pit Tower, © Atelier Guo, 2022

下：凇明火塔，手稿，© 郭廖辉工作室，2022

Liu Jiakun and Guo Liaohui begin their sketches for the fire towers with single strokes of the pencil-a generative mark tracing the forces of gravity, climate, material properties, and site conditions.

刘家琨与郭廖辉以铅笔的单一笔触开启其火塔草图：以一种生成性的标记，追踪重力、气候、材料属性与场地条件等多重力量。

Riverside Passage, Photo © Tian Fangfang, Provided by Atelier Deshaus, 2019

边园，摄影 © 田方方，大舍建筑设计事务所提供，2019

In Liu Yichun's Riverside Passage, a single, existing, inert retaining wall becomes the material support for a transformation and intensification of an urban place.

在柳亦春的杨浦滨江边园中，一道既存且静默的防汛墙成为了支撑城市场所转型与强化的物质基础。

 “双生”(Parataxis) 

Up: CAA Xiao Feng Art Museum, Hangzhou, Provided by ZAO/standardarchitecture ©Xiao Jia, 2025

上：肖峰艺术馆，杭州，由标准营造提供，©肖家，2025

Down: Xiao Feng Art Museum, Hangzhou, Model, © ZAO/standardarchitecture, 2025

下：肖峰艺术馆，杭州，模型 © 标准营造，2025

Ramps rise and fall like mountain ridges and watercourses in Zhang Ke's design for the Xiao Feng Art Museum in Hangzhou; large openings frame contrasting views, blurring inside and out in a paratactic display. The rhythmic alternation is interrupted by a bridge volume spanning the entrance. The building itself performs like a scholar’s rock, inviting peripatetic wandering through mountains and waters and contemplation.

在张轲为杭州肖峰艺术馆设计的建筑中，坡道如同山脊与水道般起伏变化；大尺度开口将彼此对照的景观纳入框景之中，并通过一种并置式的呈现模糊了内与外的界限。这种节奏性的交替被横跨入口的桥状体量所打断。整座建筑宛如文人赏石，引人游历徘徊于山水之间，并时时进入沉思冥想。

Up: Artificial Rock No.99, © Zhan Wang, 2007

上：《假山石 99#》 ，© 展望，2007

Down: From the New World, © Yang Yongliang, 2014

下：《来自新大陆》 ，© 杨泳梁，2014

 “地之书”(Geoglyph)

Up: Huiming Tea Space, Photo © Wang Ziling, Provided by DnA Architect, 2020

上：景宁惠明茶工坊-1，摄影 © 王子凌，由DnA建筑事务所提供，2020

Down: Huiming Tea Space, Photo © Wang Ziling, Provided by DnA Architect, 2020

下：景宁惠明茶工坊-2，摄影 © 王子凌，由DnA建筑事务所提供，2020

Xu Tiantian's massive light tunnels in the Huiming Tea Space fill the interior with shafts of light calibrating the Chinese zodiac while, from the viewing platform on the roof, transforming them into earth marks that, like ancient lithic instruments, index the basic rhythms of nature.

徐甜甜在景宁惠明茶工坊打造的巨型光筒，其俯仰精准对应夏至日日出日落之间的太阳高度角变化，将光柱顺次引室内；而立于屋顶观景平台，这些光筒又化作大地标记——如同古老的石阵，昭示着自然的基本节律。